Stockhausen tape

In music, tape loops are loops of magnetic tape used to create repetitive, rhythmic musical Stockhausen also used the technique for live performance in Solo ( 1965–66). If, instead of simply playing back a recorded loop, something is done to 

13 Jan 2016 Composer Karlheinz Stockhausen creating Kontakte. a technique that takes recorded sounds on tape and modifies them through various  Genres: Tape Music, Choral, Serialism. Featured peformers: WDR Rundfunkchor Köln (choir), Karlheinz Stockhausen (conductor, electronics), Suzanne  8 Dec 2007 In “Gesang,” Stockhausen worked by splicing magnetic tape by hand. “The resulting richness of the sound,” Salonen said, “is more expressive  16 Nov 2017 That's the word that describes Karlheinz Stockhausen's unfinished 3 in 1995 Stockhausen was sent a selection of tapes from the then new  12 Sep 2012 Stockhausen's electroacoustic music 'From Tape Loops to MIDI' published 1The German title is 'Oktophonie' but Stockhausen uses the form.

The longest tape loop ever created was made by Barry Anderson for performances of Stockhausen's Solo (Maconie Avant Garde, 286). History [ edit ] In the late 1940s, Pierre Schaeffer used special phonograph discs with a sillon fermé (closed groove) to repeat segments of sounds in his musique concrète studio in Paris.

8 Dec 2007 In “Gesang,” Stockhausen worked by splicing magnetic tape by hand. “The resulting richness of the sound,” Salonen said, “is more expressive  16 Nov 2017 That's the word that describes Karlheinz Stockhausen's unfinished 3 in 1995 Stockhausen was sent a selection of tapes from the then new  12 Sep 2012 Stockhausen's electroacoustic music 'From Tape Loops to MIDI' published 1The German title is 'Oktophonie' but Stockhausen uses the form. 19 Jan 2018 Of course, magnetic tape isn't the first recording medium — we had paper or Karlheinz Stockhausen commented on the importance of tape:. French composers began creating works using tape recordings that included Figure 1. Karlheinz Stockhausen in the Electronic Music Studio of WDR, Cologne   Earlier this year, Radio 3 sent a package of tapes to Karlheinz. Stockhausen. The tapes contained music by Aphex Twin, Plasticman,. Scanner and Daniel  19 Jul 2004 Stockhausen had to be in here really, although it was tricky at first to From his experiments with tape, he reasoned that rhythm and pitch were 

Although Stockhausen's use of tape delay and feedback was not novel for its time , his approach was: he was the first composer to attempt to exert compositional 

8 Dec 2007 In “Gesang,” Stockhausen worked by splicing magnetic tape by hand. “The resulting richness of the sound,” Salonen said, “is more expressive  16 Nov 2017 That's the word that describes Karlheinz Stockhausen's unfinished 3 in 1995 Stockhausen was sent a selection of tapes from the then new 

Stockhausen's adoption of national anthems for the tape of Hymnen could therefore be seen as a device to provide his soloists (and audience) with easily 

The score exists in two versions – as a purely electronic work on tape, following the equally groundbreaking Gesang der Jünglinge that Stockhausen had completed immediately before it, and as an A four–channel tape with four loudspeakers allowed Stockhausen to pass his sounds around and across the audience in an elaborate and dramatic use of acoustic space that might be seen as an early precursor to surround sound. In music, tape loops are loops of magnetic tape used to create repetitive, rhythmic musical patterns or dense layers of sound when played on a tape recorder.Originating in the 1940s with the work of Pierre Schaeffer, they were used among contemporary composers of 1950s and 1960s, such as Steve Reich, Terry Riley, and Karlheinz Stockhausen, who used them to create phase patterns, rhythms Karlheinz Stockhausen (1928-2007): Gesang der Jünglinge, for tape (1955/1956). Cover image: painting by John Singer Sargent. *** The music published in our channel is exclusively dedicated to In KONTAKTE, Stockhausen recorded pulses in irregular rhythms and then made tape loops of the recordings. By changing the tape loop playback speed, different timbres and pitches were obtained. In other words, a unique rhythm is transformed into a pitched noise by greatly increasing its tempo.

for basset-horn, alto flute with piccolo flute / choir ( cond. ), children's choir / modern orchestra ( 3 synthesizer players, 1 perc., tape ) / sound proj. 153 €. MONTAGS 

Stockhausen realised the electronic music and participated in these recordings as conductor, (2-track tape rec., 2 x 2 loudsp., mixing console / sound proj.) 

Items 1 - 19 of 19 His early electronic compositions such as the Studies were painstakingly and meticulously constructed using magnetic tape, to be followed over  29 May 2014 San Fran outfit with links to the iconic Mills College Tape Music Centre, Paris' GRM, Stockhausen held court at his Electronic Music Studio in  Carlos Sandoval: Qu Trompa [2004-07] (trumpet, water, saliva, and tape) Rebecca Saunders: Blaauw [2004] (double-bell trumpet) Karlheinz Stockhausen:   27 Apr 2011 Various sounds were captured on magnetic recording tape, which was of Karlheinz Stockhausen in Germany and the tape compositions of  Oktophonie (Octophony) is a 1991 octophonic electronic-music composition by Karlheinz Stockhausen.A component layer of act 2 of the opera Dienstag aus Licht, it may also be performed as an independent composition.It has a duration of 69 minutes. The Konkrete Etüde (Concrète Étude) is the earliest work of electroacoustic tape music by Karlheinz Stockhausen, composed in 1952 and lasting just three-and-a-quarter minutes. The composer retrospectively gave it the number "⅕" in his catalogue of works. The longest tape loop ever created was made by Barry Anderson for performances of Stockhausen's Solo (Maconie Avant Garde, 286). History [ edit ] In the late 1940s, Pierre Schaeffer used special phonograph discs with a sillon fermé (closed groove) to repeat segments of sounds in his musique concrète studio in Paris.